{"id":754,"date":"2011-10-25T15:13:16","date_gmt":"2011-10-25T20:13:16","guid":{"rendered":"http:\/\/splnlss.local\/?p=754"},"modified":"2011-10-25T15:13:17","modified_gmt":"2011-10-25T20:13:17","slug":"new-artscience-affinities-book-release","status":"publish","type":"post","link":"http:\/\/splnlss.local\/new-artscience-affinities-book-release\/","title":{"rendered":"New Art\/Science Affinities Book Release"},"content":{"rendered":"
<\/a> “New Art\/Science Affinities” (2011, 8.5×11 inches, 190 pages, perfect-bound paperback, 232 full-color illustrations) is available for purchase ($45.75) through print-on-demand service Lulu, or for free download via the Miller Gallery website (http:\/\/www.cmu.edu\/millergallery\/nasabook<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":" New Art\/Science\u00c2\u00a0Affinities\u00c2\u00a0by Andrea Grover, R\u00c3\u00a9gine Debatty, Claire Evans and Pablo Garcia, has a section about one of my projects, The Urban Prospector. The book\u00c2\u00a0focuses on artists working at the intersection of art, science and technology, was produced by a collaborative authoring process known as a “book sprint.” Derived from “code sprinting,” a method in which […]<\/p>\n","protected":false},"author":1,"featured_media":755,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,12],"tags":[],"_links":{"self":[{"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/posts\/754"}],"collection":[{"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/comments?post=754"}],"version-history":[{"count":2,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/posts\/754\/revisions"}],"predecessor-version":[{"id":757,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/posts\/754\/revisions\/757"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/media\/755"}],"wp:attachment":[{"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/media?parent=754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/categories?post=754"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/splnlss.local\/wp-json\/wp\/v2\/tags?post=754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nNew Art\/Science\u00c2\u00a0Affinities\u00c2\u00a0by Andrea Grover<\/a>, R\u00c3\u00a9gine Debatty<\/a>, Claire Evans<\/a> and Pablo Garcia<\/a>, has a section about one of my projects, The Urban Prospector.<\/a> The book\u00c2\u00a0focuses on artists working at the intersection of art, science and technology, was produced by a collaborative authoring process known as a “book sprint.” Derived from “code sprinting,” a method in which software developers gather in a single room to work intensely on an open source project for a certain period of time, the term book sprint describes the quick, collective writing of a topical book.<\/p>\n